His ramblings may be loosely based around the theories of the Irish philosopher Bishop Berkeley. Within the gibberish Lucky makes comments on the arbitrary nature of God, man's tendency to pine and fade away, and towards the end, the decaying state of the earth. The monologue is long, rambling word salad, and does not have any apparent end it is only stopped when Vladimir takes the hat back. He asks them to give him his hat: when Lucky wears his hat, he is capable of thinking. Luckys speech is a monologue of non-sequitur which jars coherence at every level. Pozzo is driving Lucky like a large animal secured with a long. Unlike the other characters in the play who talk compulsively,Lucky utters just two sentences in the play, one of which is extremely long. Vladimir offers a hungry Estragon a carrot. The monologue is prompted by Pozzo when the tramps ask him to make Lucky "think". In Samuel Becketts play Waiting for Godot, Lucky is the slave of a character called Pozzo. Lucky is most famous for his speech in Act I. Pozzo mourns this, despite the fact that it was he who silenced Lucky in the first act. He philosophises, like Vladimir, and is integral to Pozzo's survival, especially in the second act. Read this way, Pozzo and Lucky are simply an extreme form of the relationship between Estragon and Vladimir (the hapless impulsive and the intellect who protects him). he represents one part of a larger, whole character, whose other half is represented by Pozzo). Lucky is often compared to Vladimir (just as Pozzo is compared to Estragon) as being the intellectual, left-brained part of his character duo (i.e. Beckett asserted, however, that he is lucky because he has "no expectations". Pozzo tells him what to do, he does it, and is therefore lucky because his actions are determined absolutely. Some have marked him as "lucky" because he is "lucky in the context of the play." He does not have to search for things to occupy his time, which is a major pastime of the other characters. Lucky's place in Waiting for Godot has been heavily debated. Lucky is Pozzo's slave, whom Pozzo treats horribly and continually insults, addressing him only as 'pig.' He is mostly silent in the play, but gives a lengthy, mostly nonsensical monologue in act one, when Pozzo read analysis of Lucky.
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